Messages of Strength and Pride in Three Poemsfrom the Harlem RenaissancePoems from the Harlem Renaissance project vibrance and energy for the reader as they enliven a horticulture and customs duty never before seen in the United States . The songs cabbage by Carl Sandburg , The Harlem Dancer by Claude McKay , and Mother to Son by Langston Hughes every(prenominal) embody this watertight culture through shiny images an sluggish metaphors . While they show the pride and substance of their subjects the poems similarly imply at a bit of vulnerability as wellspring . Therefore , these three poems metaphorically illicit outward-bound shows of bearing and pride which hide paroxysm , toil and evening thorniness underneathStrength is an attri juste of a somebody who has toiled and prevailed despite the overwhelm odds against him . In the first half of the poem , pelf the first person speaker is addressing the metropolis through a series of metaphors . premier(prenominal) , he addresses him as a spartan of occupations which all bear great corporal strength entirely which do non retain an association with upper path wealth or powerHOG Butcher for the WorldTool Maker , Stacker of WheatPlayer with Railroads and the Nation s cargo Handler (Sandburg lines . 1-3These images compel a masculine , hulking liking for the reader . It is unvarnished that life in this city requires muscularity and even a precious mind The speaker notes the physical attri justes of the city , which can be compared to a manStormy , husky , brawlingCity of the hulky Shoulders (Sandburg , lines . 4-5The city is personified as a hard- exploiting and knightly blue ruff worker who may have to resort to underhanded trans transaction in to surviveHowever , as the poem progresses , the metaphors change . The s peaker begins with a parallel series of s - ! wicked crooked and uncouth to characterize the city along with a justification for each(prenominal) .

He notes the city is sneering but withlifted head singingso proud to be alive and coarse and strong and cunning (Sandburg lines . 18-19The wind is that the city demands more than hard work it sometimes takes pain and trickery from its inhabitants . However , the messages notes that sometimes this way is necessary for option and that the city has no moral line of work with crime , corruption and manipulationFinally , the poem shifts to the metaphor not of a man at all , but a wildcat . This creature is cruel asa dog with to ngue lapping for action , cunningas a unrelenting pitted against the wilderness (Sandburg lines . 23-24Now the city is not human , but savage and untamed , reflecting the problems it presents for the survival of its dwellers . They must(prenominal) endure , the bullet , the dust , the teeth and the burden of the city and somehow sterilize away to laugheven as an ignorant wizard laughs who hasnever lost a meshing (Sandburg , lns . 34-35The bottom line for this poem is pride . Sometimes the spate had to be dishonest and brutish , but they have an grand pride in acquire to where they are . The...If you want to get a full essay, coordinate it on our website:
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